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Parallel Coast
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notes & pictures - story 4
Nick on R1 - photo by Nick Sanders
Norfolk view - photo by Nick Sanders
Fisherman - photo by Nick Sanders
Moreston, landscape of picnic - photo by Nick Sanders
Swans Nest - photo by Nick Sanders
The R1 has a mode-mapping switch which acts like three different throttle cams on the twist grip. This effectively means you can select a different power delivery for a given amount of throttle. 'B' mode provides a lazy slow gathering of speed whilst standard for me is below par for a bike of this class. 'A' mode pushes your eyes to the back of your head while your testicles disappear to God knows where. As you approach the speed of light, the colour spectrum alters, the bike starts to shorten and there is true fear in your stomach as you meet yourself on the way back from a place you haven't yet reached. As I slow down with a 'squishshsh' from the brakes, I notice over the hedgerows how flat fields lead to a very big sky.

In 1951 The People newspaper did a survey of its readers and several tenets and beliefs proved common among the 11,000 respondents; these included 'a love of freedom, a low interest in sexual activity, a strong belief in education, consideration for the feelings of other people…and a strong attachment to marriage and the institution of the family'. As the paper's statistical analyst, Geoffrey Gorer concluded, 'the English are a truly unified people, more unified, I would hazard, than at any other period in their history. When I was reading, I found I was constantly making the same notes: 'What dull lives most of these people appear to lead!'

Perhaps this no longer applies. Then, the population had just emerged from a war, were used to discipline and had little experience of mass migration, so societies were in a real sense insular, and the media had not yet created the global village. So unworldly; Englishness (or Britishness) in that very different era was clearly a lot different from Englishness now.

North of the Broads and this is a landscape of flatness and my view of the day. Cattle graze on meadows reclaimed from the sea, and protected by a defensive barrier of sand and shingle, marsh grasses lead to the road across from which lush meadows appear to move like the arms of a Mexican Wave. Beyond the wall, sand spits are toyed-with by high tides, re-forming the coastline twice every 24 hours leaving behind salt flats that form estates of waders, avocets and marsh harriers. For the most part it is a land of flatness and big skies. It is a space bounded by fences and gate posts that look as if they've been there for hundreds of years.

The Norfolk coast is a sanctuary for small lanes that shoot off towards the sea. Every few minutes, yet another track, like a capillary, tempts you to follow. A short way from Wells, I ride into Morston Quay, a National Trust property. There is a bylaw that insists you sit here on benches with binoculars and a packed lunch, after which you follow on with a puff on a bent pot pipe. With the benign expression of church-goers, small groups of badge-wearers relax beatifically, as voluminous skies threaten to envelope us all.

By Blakeley I am riding gently. I crossed the Nubian Desert in a different way but in truth, there was considerably less to look at. The way this bike expresses itself through the gears to a quick speed is the way you might use a sharp knife. The scalpel-like precision, with its throaty sound, is, if you get to know this bike really well, like dressing a wolf in lamb's clothing and for once I have time to listen. Pegging down a gear while shifting the mapping to the 'quick' setting is what this bike is all about. Whoever made this bike fathered a genius.
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